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SEVEN LAST WORDS FROM THE CROSS

The music presented here by the Swedish Radio Choir, under the guidance of chief conductor Kaspars Putniņš, can best be described as spiritual, sacred and rich in mystery. The concert begins with a newly written spiritual work by Djuro Zivkovic. This is followed by James MacMillan´s meditative cantata Seven Last Words from the Cross. The concert concludes with the Ukrainian composer Valentin Silvestrov´s prayer Otche nash.

The concert will be broadcasted at the Swedish Radio P2 and on Berwaldhallen Play Friday, April 15 at 7 pm.


SWEDISH RADIO SYMPHONY ORCHESTRA

dot SWEDISH RADIO CHOIR

dot 2021/2022

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Participants

 

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32 professional choristers make up the Swedish Radio Choir: a unique, dynamic instrument hailed by music-lovers and critics all over the world. The Swedish Radio Choir performs at Berwaldhallen, concert hall of the Swedish Radio, as well as on tours all over the country and the world. Also, they are heard regularly by millions of listeners on Swedish Radio P2, Berwaldhallen Play and globally through the EBU.

The award-winning Latvian conductor Kaspars Putniņš was appointed Chief Conductor of the Swedish Radio Choir in 2020. Since January 2019, its choirmaster is French orchestral and choral conductor Marc Korovitch, with responsibility for the choir’s vocal development.

The Swedish Radio Choir was founded in 1925, the same year as Sweden’s inaugural radio broadcasts, and gave its first concert in May that year. Multiple acclaimed and award-winning albums can be found in the choir’s record catalogue. Late 2023 saw the release of Kaspars Putniņš first album with the choir: Robert Schumann’s Missa sacra, recorded with organist Johan Hammarström.

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Kaspars Putniņš is Chief Conductor of the Swedish Radio Choir since 2020, and newly appointed Chief Conductor of the Latvian Radio Choir with whom he has worked closely for more than 30 years. He was formerly Chief Conductor of the Estonian Philharmonic Chamber Choir in 2014–2021. He regularly appears with the RIAS Kammerchor, SWR Vokalensemble Stuttgart, Collegium Vocale Gent, Danish National Vocal Ensemble & Choir, Netherlands Radio Choir, NDR Vokalensemble Hamburg, Chorwerk Ruhr, among others.

While Putniņš is a skilled interpreter of a wide choral repertoire, from Renaissance polyphony through to romantic music, his foremost goal has always been promoting new and outstanding choral music. He has forged close relationships with Baltic and Nordic composers including Maija Einfelde, Mārtiņš Viļums, Gundega Šmite, Toivo Tulev, Lasse Thoresen, Gavin Bryars and Andris Dzenitis. He has also initiated several drama projects in collaboration with visual and theatre artists, and has worked extensively with young singers and conductors, including as Artistic Director of the Tenso Europe Chamber Choir in 2013–2017.

Autumn 2023 saw the release of Putniņš’ first album recording with the Swedish Radio Choir: Robert Schumann’s Missa sacra and Vier doppelchörige Gesänge, recorded with Swedish organist Johan Hammarström. His wide-ranging discography also includes recordings of Pēteris Vasks’ Māte saule, Jonathan Harvey’s The Angels, Sergei Rachmaninoff’s All-Night Vigil and Alfred Schnittke’s Concerto for Choir. His recording with the Estonian Philharmonic Chamber Choir of Schnittke’s Psalms of Repentance and Arvo Pärt’s Magnificat and Nunc dimittis was awarded both the Gramophone Award and Diapason d’Or in 2018.

Kaspars Putniņš has been awarded two of Latvia’s foremost awards for his musicianship: the Grand Music Prize Lielā mūzikas balva and the Council of Ministers Award for Achievements in Culture and Science. For his contributions to Estonian music life as Chief Conductor of the Estonian Philharmonic Chamber Choir, he was awarded the Cultural Endowment of Estonia’s Annual Award in 2019. Putniņš grew up in Riga, Latvia, and was only 26 years old when he was first hired as conductor of the Latvian Radio Choir.

Malin Broman is the first concertmaster of the Swedish Radio Symphony Orchestra since 2008. She served as artistic director of Musica Vitae in 2015–2020, premiering over 20 works and touring and recording extensively. In 2019, she succeeded Sakari Oramo as artistic director of the Ostrobothnian Chamber Orchestra.

As a guest leader, she has been invited to perform with ensembles such as the London Symphony Orchestra, Mahler Chamber Orchestra and the Philharmonia Orchestra. As combined soloist and leader she has performed with the Tapiola Sinfonietta, Nordic Chamber Orchestra, Trondheim Soloists and ACO Collective. Soloist highlights include performances with the Gothenburg Symphony, Copenhagen Phil, BBC Scottish Symphony, Academy of St Martin-in-the Fields, and the Swedish Radio Orchestra, working with such conductors as Neeme Järvi, Andrew Manze and Daniel Harding.

In recent years, she has premiered concertos by Daniel Börtz, Britta Byström, Andrea Tarrodi and Daniel Nelson. She has recorded over 30 albums, including concertos by Carl Nielsen and Britta Byström. Recent releases include an album with music by Laura Netzel, and Stockholm Diary with the Ostrobothnian Chamber Orchestra. Her recording of Mendelssohn’s double concerto together with pianist Simon Crawford-Phillips and Musica Vitae was Grammy nominated in 2019.

She received much acclaim for her recording of Felix Mendelssohn’s string octet in the spring of 2020, where she played all eight parts herself. She has since made two similar recordings: Britta Byström’s octet A Room of One’s Own, and Johan Halvorsens Passacaglia recorded with the Swedish Radio Symphony Orchestra’s solo contrabassist Rick Stotijn.

In 2001, she founded the Change Music Festival in Kungsbacka. She is also co-founder of Kungsbacka Piano Trio, with which she had played more than 700 concerts all ove the world, and of Stockholm Syndrome Ensemble which is made up of some of Europe’s most brilliant chamber musicians.

In 2008, Malin was elected a member of the Royal Swedish Academy of Music. The Kungsbacka Piano Trio has received the prestigious Interpret Prize of the Royal Academy of Music. In 2019, she was awarded H.M. The King’s Medal. She is currently Professor of Viola at Edsberg Institute of Music in Stockholm. She plays a 1709 Stradivarius violin and a 1861 Bajoni viola, both generously loaned by the Järnåker Foundation.

Director of Swedish Radio Choir & Swedish Radio Symphony Orchestra.

Approximate concert length: 1 hour 15 minutes (no intermission)